Video Review:
Gary Hill: I Believe it is an Image
Hill is a technologically advanced artist who uses cameras, imagery, lights and words to manipulate the senses. He creates different perspectives of reality using traditional imagery (i.e. the cross, words from books) juxtaposed with unusual relationships of the body and sensory triggers. Hill’s style is jarring, chaotic, objectified and occasionally soothing. His use of metaphors, rhythm and vibrations enhances his desired impact on the viewer. Hill’s work is a meticulous documentation of artistic process created with intellect, obsession and distortion.
Shirin Neshat: The Woman Moves
Neshat’s common theme of movement, isolation, and voice (spoken and written) creates a very subtle yet powerful perspective on the Iranian woman. She suggests metamorphosis of the individual outside of her traditional culture. Neshat’s personal story as an American Immigrant carries over into her art, allowing the viewer to act as an observer of and for change. She is a woman, speaking for the Iranian woman, beyond women’s issues. Although division occurs between man and woman, ideas are mirrored creating reflection and awareness.
Tongues Untied by Marlon Riggs
Riggs, a black, gay activist, charismatically moves through various issues using rhythm, emotion and reflection. He seamlessly tells a story of personal and social acceptance providing strong words and raw imagery. Riggs is exposed to name calling, gay bashing, rejection, and inescapable depression. Pain and moments of harsh interactions are often reflected in the intimate moments of the film, contrasted with humor, building a strong empathetic relationship with the viewer. Riggs is eventful, never boring, and makes strong moral points while he evolves from an invisible man to one with purpose.
All three works are informative and appropriate for their own purposes. Riggs film was soulful and poetic, reading like a visual poem of emotion and events. Neshat’s film seemed to move in slow motion, maintaining strong contrast and constant motion. Hill’s film was sensual and disturbing in its never slowing pace. Hill and Neshat were informative with process while Riggs is more concerned with his emotional point. All of the films were very intriguing and while very different, they were each effective in creating strong feelings through manipulation and inspiration.
